Title: His Masters Voice
Style: Folk Rock
Format: MP3 FLAC DTS VOC AHX MOD TTA ADX AAC
FLAC size: 1443 mb | MP3 size: 1492 mb | WMA size: 1982 mb
Bob Dylan is the debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records. Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Masters of War" is a song by Bob Dylan, written over the winter of 1962–63 and released on the album The Freewheelin' Bob Dylan in the spring of 1963. The song's melody was adapted from the traditional "Nottamun Town". Dylan's lyrics are a protest against the Cold War nuclear arms build-up of the early 1960s. With many of his early songs, Dylan adapted or "borrowed" melodies from traditional songs.
Bob Dylan fully embraced his country influence, and sang in a surprising new croon, on 1969's 'Nashville Skyline. Michael Ochs Archives/Getty. In June 1969, two months after Nashville Skyline landed in stores, Bob Dylan told Rolling Stone founder Jann S. Wenner that he’d originally had a different name in mind for his latest album. The title came up John Wesley Harding, Volume II, he said. We were gonna do that. He’d been flirting with country music for a few years, but this is the album where Dylan fully embraced the influence of Hank Williams, Jerry Lee Lewis and Elvis Presley. The sound was Nashville, and I was so glad, says Charlie McCoy, who played bass on the album. He and drummer Kenny Buttrey were joined by other top Music City session players, including guitarist Charlie Daniels and pedal steel master Pete Drake, for a colorful full-band sound.
Apart from his revolutionizing modern songwriting, Bob Dylan still manages to divide rooms over the breadth of his talent. The main sticking point for many? Well, his voice. Yet, when I hear this complaint, that I’d rather hear someone else sing his songs – I don’t like his voice, my reaction in recent years is to wonder which voice they happen to be talking about. Voice 2: The Nasal-Voiced Youth. By 1964-65, Dylan had been well-established as a ‘topical songwriter’ and a key voice in the civil rights movement. But, he’d also made artistic moves away from his place as a folk-singing social critic, and from a subculture that celebrated the old and dusty as opposed to the less black & white to the more unsettling shades of grey of the modern world. His songs became less folksy and topical, less about Woody Guthrie’s dustbowl and more in tune with the Beat poets.
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings. Bob Dylan In Concert: Brandeis University 1963. The Best Of The Original Mono Recordings.
Song for Bob Dylan" is a song written by David Bowie for his 1971 album Hunky Dory. The song parodies Bob Dylan's 1962 homage to Woody Guthrie, "Song to Woody". Yet while Dylan opens with "Hey, hey, Woody Guthrie, I wrote you a song," Bowie addresses Dylan by his birth name saying, "Now, hear this, Robert Zimmerman, I wrote a song for yo.
Bob Dylan’s new album. Well, I’m allowed to dream. This entry was posted in Uncategorized. The 1981 tours, an astonishing year ( arguably his greatest voice ), included many wonderful covers including ‘We just disagree’ and ‘Fever’. His 1996 comeback was triggered by two masterful acoustic covers albums and his last three albums of covers have resulted in his strongest vocals and performances in years ( where songs such as ‘Autumn leaves’ and ‘Stormy Weather’ have stood centre stage ).
I heard him telling his friend Bob Neuwirth one night between sets that he wanted to travel the country in a bus, like the country and rhythm and blues guy did. They would call it the Rolling Thunder Revue. Somehow it was magical and ordinary at the same time. Someone ahead of us was taking the stairs very, very slowly. I was in the lead, Dylan right behind me. A voice came from behind us down the stairs. Hey, man! Get a move on!
|A1||Highway 61 Revisited|
|A3||All Along The Watchtower|
|A4||Just Like A Woman|
|B2||I And I|
|B3||License To Kill|
|B4||Got My Mojo Working|
|C1||Tangled Up In Blue|
|C2||It Ain't Me Babe|
|C3||It's Alright Ma (I'm Only Bleeding)|
|D1||It's All Over Now Baby Blue|
|D2||Masters Of War|
|D3||Ballad Of A Thin Man|
|D4||Man Of Peace|
|E1||Every Grain Of Sand|
|E2||Like A Rolling Stone|
|E3||Girl Of The North Country|
|F1||Don't Think Twice|
|F4||Hard Rain's Gonna Fall|
|F5||Love Minus Zero / No Limit|
- Recorded At – Ahoy Rotterdam
NotesThe recording is the complete show from the Sportpaleis, Rotterdam, June 4, 1984 except F4, F5 from the Sportpaleis on June 6th.
Barcode and Other Identifiers
- Rights Society: STEMRA