Title: Ein Halber Hund Kann Nicht Pinkeln / Half A Dog Can's Piss
Style: Free Jazz, Free Improvisation, Avant-garde Jazz
Format: MP3 FLAC ASF MP4 WMA MPC VQF APE MP2
FLAC size: 1784 mb | MP3 size: 1796 mb | WMA size: 1895 mb
The first duo album between jazz titans Brotzmann and Bennink finds them a playful mood, showing off their virtuosic range with forays into viola, piano, clarinet, and banjo! Their musical interactions are deft and constantly surprising, like brilliant magicians who move effortlessly from one astonishing trick to another. This album deserves a place in anybody’s collection for its title alone (English translation: Half a Dog can’t piss ). The music exudes the same air of whimsicality; the improvisations having less to do with organic interaction than with gags and tricks devised to catch one’s partner with his pants down. If you like Ein halber Hund kann nicht pinkeln, you may also like: Sex Tape by BRÖTZMANN, LEIGH. supported by 17 fans who also own Ein halber Hund kann nicht pinkeln.
Han Bennink: drums, piano, viola, banjo, bass clarinet. Recording: A1 & A2 recorded live by Bernhard Arndt on April 8th & 9th,1977 during the Workshop Freie Musik at the Akademie der Künste in Berlin. Produced by Jost Gebers. Tracklist: SIDE A A1 Musik am Abend 1 A2 Musik am Abend 2 A3 Musik am Abend 3 A4 Musik am Abend 4 A5 Musik am Abend 5.
Musik Am Abend No. 5. Han Bennink. Han Bennink, Peter Brötzmann. Musik Am Nachmittag No. 4 (Ein Halber Hund Kann Nicht Pinkeln).
Peter Brötzmann: soprano, alto, tenor saxophone, b-flat clarinet, bass clarinet, piano. Han Bennink: drums, piano, viola, banjo, bass clarinet. Recording: A1 & A2 recorded live by Bernhard Arndt on April 8th & 9th, 1977 during the Workshop Freie Musik at the Akademie der Künste in Berlin. A3, A4, A5 & B1 recorded by Jost Gebers on March 26th, 1977 at the Quartier Latin in Berlin. B2 to B5 recorded by Jost Gebers on March 27th, 1977, at the Quartier Latin in Berlin. This album was originally released on FMP, 1977. Original FMP catalog number: FMP 0420.
After that Brötzmann and Bennink released two highly appreciated, fantastic duo albums: Ein halber Hund kann nicht pinkeln ( Half A Dog Can’t Piss ) and Schwarzwaldfahrt ( Black Forest Ride ). The first one presents Bennink as the clown who fuels the improvisation with his drums but also with castanets, violin, hammering piano, saxophone or banjo, whereas Brötzmann is the serious bridge over troubled water.
Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. For Adolphe Sax, Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 Machine Gun, an octet recording, was released The logistics of touring with the ICP tentet or his octet resulted in Brötzmann reducing the group to a trio with Han Bennink and Fred Van Hove. Ein halber Hund kann nicht pinkeln (1977). Schwarzwaldfahrt (1977). Atsugi Concert (1980).
The album Nipples was recorded in 1969 with many of the Machine Gun musicians including drummer Han Bennink, pianist Fred Van Hove and tenor saxophonist Evan Parker, plus British free-improv guitarist Derek Bailey. The second set of takes from these sessions, appropriately called More Nipples, is more raucous. His "Die Like A Dog Quartet" (with Toshinori Kondo, William Parker and drummer Hamid Drake) is loosely inspired by saxophonist Albert Ayler, a prime influence on Brötzmann's music. Since 1997 he has toured and recorded regularly with the Peter Brötzmann Chicago Tentet (initially an Octet) which he disbanded after an ensemble performance November 11, 2012 in Strasbourg, France.
Track List Musik Am Abend 1 Musik Am Abend 2 Musik Am Abend 3 Musik Am Abend 4 Musik Am Abend 5 Musik Am Nachmittag 1 Musik Am Nachmittag 2 Musik Am Nachmittag 3 Musik Am Nachmittag 4 Musik Am Nachmittag 5 Protection Each record is protected within its record sleeve by a white vellum anti-dust sleeve. Packaging All items are shipped brand-new and unopened in original packaging. Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands.
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