Dave Brubeck – piano Paul Desmond – alto saxophone Eugene Wright – bass Joe Morello – drums. Teo Macero – producer Fred Plaut – engineer S. Neil Fujita – cover artwork Seth Rothstein – project director Russell Gloyd – reissue producer Mark Wilder – reissue remastering Cozbi Sanchez-Cabrera – reissue art direction. SME (от лица компании "BNF Collection"); UBEM, LatinAutor - UMPG, BMI - Broadcast Music In. ARESA, CMRRA, LatinAutor, UMPG Publishing, LatinAutor - ACODEM" и другие авторские общества (22).

Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 98, 64 and 54. The album is a subtle blend of cool and West Coast jazz. It peaked at No. 2 on the Billboard pop albums chart, and has been certified platinum by the RIAA.

Формируйте собственную коллекцию записей The Dave Brubeck Quartet. The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State sponsored tour of Eurasia, such as when he observed in Turkey a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move - Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics.

Album · 1959 · 15 Songs. 2. Waltz Limp (Previously Unreleased). 3. Since Love Had Its Way (Previously Unreleased).

Dave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move - Brubeck’s record company wasn’t keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz’s rhythmic foundation. Buoyed by a hit single in altoist Paul Desmond’s ubiquitous Take Five, Time Out became an unexpectedly huge success, and still ranks.

In Time Out, the Dave Brubeck Quartet plays with equal parts feeling and technicality. The rhythm section (Eugene Wright and Joe Morello on bass and drums respectively) kept everything jazz, even in the odd time signatures. There’s still the controlled yet assured drumming, the walking bass lines. Brubeck takes a commanding position in his quartet, which is certainly welcome. Desmond wrote the big hit of the album ( Take Five ), but Brubeck starts off the album as mentioned before, prepping everyone for the experimental, challenging, and enjoyable music coming ahead. His musicianship shows throughout the whole album, he does a majority of the soloing, but his performance on Blue Rondo À la Turk is one hell of an act to follow. His almost classical chording in the bridge is majestic.

Time Out is the 1959 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual for jazz (mainly waltz or double-waltz time, but also 9/8, and most famously 5/4). Obviously, timing is everything! Just over 50 years after its original release, we present this timeless album on 180 gram audiophile vinyl. 180 gram audiophile vinyl.